Nighttime Freeway Abstactions

We were coming home from a family birthday party last night and I didn’t drive. That gave me a chance to try a reverse light painting technique with my little Nikon Coolpix 3100.

FreewayAbstraction (1 of 1)

I sat in the passenger’s seat and shot out of the front window.  We were taking I-75 North from Grosse Ile, passing through the heart of industrialized Detroit.

FreewayAbstraction2 (1 of 1)

In normal light painting, the camera is stationary and the shutter is kept open while the light source moves. What I did is kind of a reverse light painting and works well at night. Take your camera (a cheap point and shoot works really well), press down on the shutter release, wiggle the camera a little bit, then point the camera to an area of complete dark and wait for your camera to complete the exposure. 

FreewayAbstraction4 (1 of 1)

I processed the shots in Lightroom. It’s a cool technique and is fun to play with. You never know what you’re going to get as a final image. There’s a few more here: https://stefanstudios84.wordpress.com/freeway-abstractions/

 

Film: A Sight Return

Last month Barb and I went to the Royal Oak Art Fair at Memorial Park. I was interested in the photographers, what they offered and what equipment they used (Canon, mostly).

One photographer’s work in particular caught my eye, and I’m sorry I didn’t get his card or remember his name otherwise I’d mention it here. His photographs were truly stunning. All of them were black and white, silky, silvery and deeply saturated. I asked him what he used. He said he shot 120 film exclusively on a Mamiya.

I used to shoot film, 35mm on a Canon F1 and 120 (medium format) film on a Yashica Mat-124G. I still own both cameras, so I found my neglected 124G, cleaned it, bought some 120 Tri-X and took it with us on vacation a couple of weeks ago in Grand Haven, Michigan.

YashicaMG2

The Yashica Mat-124G is a twin lens reflex camera. You look down the the top of the camera and through the top lens. The lower lens exposes the film. Being medium format, the negative size is 2 1/4” by 2 1/4”. The format is square, but if you don’t like that or if the square format doesn’t work for a particular composition a print can always be cropped during development.

Here’s a scanned print from 1980 from Grand Central Station in New York City shot with the 124G using Tri-X developed in Rodinal. Notice the ad for the TV show Barney Miller. The print isn’t square since shot lent itself to more horizontal lines.

GrandCentral2

The 124G takes a 1.3v battery which was dead on my camera. Luckily I have an old Sekonic light meter that still works, so I depended on that.  I prefer working with a light meter anyway.

I forgot what a delight and a challenge it is shooting with the 124G. I had to find the shots, adjust the tripod, use the light meter, set the apeture and shutter speed (keeping depth of field in mind), and focus using the little magnifier. Time literally slowed down for me. It was great and for the first time in a long time I felt like I was potentially producing art, instead of merely taking a photograph. I shot 12 exposures in the old house we rented.

I don’t have any chemicals or a developing tank for the negatives, but I plan on buying everything within the next week or so. I’m looking forward to developing the negatives and making contract prints, but it may take a while. I will post whatever comes out here.

If you’re thinking about either getting into film photography or going back to it, a used 124G is a great camera to consider. I’ve seen them run between $200 and $300.  Here are some links to check out for more information:

http://istillshootfilm.org/post/66810081483/yashica-mat-124g-medium-format-tlr-camera-review

http://mattsclassiccameras.com/yashicamat_124.html

People Make the Difference

What separates interesting from dull photographs? Many things, but one major component is people. Many memorable shots have people in them. Just look at the great Henri Cartier-Bresson’s work. It’s hard to find one without people.

Here’s a couple examples. The shot below was taken last November at Fisherman’s Wharf in San Francisco. It’s okay, but really doesn’t do much.

Walkway1_lo_res

The location had potential, though. Notice there’s a person on the left side of the walkway. I just had to wait for something to happen. A few minutes later he walked forward and I had my shot.

Walkway2_lo_res

Having a person in the photograph gave it life, movement and interest.

Here’s another example. This is a food vendor outside of Fisherman’s Wharf. Without people this shot would be dull.

OrderHere

People in a photograph can transform a mediocre shot to a good one. 

 

 

 

Inside the DIA

I’ve been going to the DIA (Detroit Institute of Arts) photographing the interior since the Detroit bankruptcy filing.

DIA painting9_lo_res

The DIA is in jeopardy and I want a record of the astounding art that it contains.

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I will be making several trips over the winter for more photo sessions.

DIA painting15_lo_resCheck out these links for more:

https://stefanstudios84.wordpress.com/the-detroit-institute-of-arts/

https://stefanstudios84.wordpress.com/dia-rivera-mural-studies/

https://stefanstudios84.wordpress.com/the-detroit-institute-of-arts-gallery-2/

 

Fisherman’s Wharf

Just got back from a two day trip to Palo Alto and had a chance to stop at Fisherman’s Wharf to get some shots before taking the red eye home. I took a recently acquired used Canon G12 with me since I wanted to run it through its paces. Here are a few shots:

Tugboat

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Golden Gate Bridge

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Sea Lion Watchers

Onlookers-2

Needless to say, San Francisco is an awesome city.

I’m pretty happy with the G12 since I was concerned with image processing time in low light. The G12 performed well and I think will work out as a street photography camera for Winter in Detroit. For more, go here: https://stefanstudios84.wordpress.com/fishermans-wharf/

 

Between Point and Shoots and DSLRs

With Detroit Revived released, I’ve started on a new photo essay eBook called  Broken City, Big Hearts. It will be shot over the winter months in Detroit and will revolve around a few low key charities that help people survive year around, but particularly in winter. Detroit winters are deadly, especially to the poor and homeless.

I’ve created a page called Winter in Detroit on this site and have started shooting around Capitol Park on the outskirts of downtown Detroit. I haven’t carried a big DSLR since I want to be as inconspicuous as possible. I’ve been shooting with my old Nikon Coolpix 3100 which I love, but two flaws make it difficult to use. For one, the cycle time is slow and has caused me to miss some good shots. For two, the zoom doesn’t focus well, or at all. I had something to do with that. When we were in Mexico a couple of years ago the lens wouldn’t retract and I used a butter knife to break it free. The 3100 still works great for non-zoom shots, though, and I’ll keep that camera forever. The shot below was taken with the 3100 and processed in Lightroom 5.

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I wanted something with more sophisticated controls than a simple point and shoot. I needed a small camera where I could easily control exposure, ISO, white balance and other familiar DSLR functions. I saw a used Canon G12 at B&H for $259 and bought it. It retails at $749 new so I got a decent deal, and have never gone wrong buying used equipment from B&H. The G12 came yesterday. It came just in time, since I’m leaving for San Francisco and  Palo Alto on Monday for two days and I’m taking it with me as my one and only camera. If I’m lucky I’ll have some time to get some shots in SF.

First, the G12 is not a DSLR and at first feels like a toy, which it definitely is not. It’s a solid, serious camera. It’s weighty for its size, and I like that. My photographic experience falls on the extreme end points, either with a full blown DSLR with a wide variety of lenses or a dinky point and shoot (the 3100) so the G12 feels comfortable.

The LCD display is on a swivel, and it’s useful. I have a T2i which I bought before the T3i came out, and I now see how useful the articulated display is, especially in movie mode.  The G12 also has a front dial to easily change F-stops and an exposure compensation dial up top. I’ve already used this dial a lot. ISO also has a dedicated dial, which is handy.

The shots below were taken with the G12 this morning.

MorningInParkG12_lo_res

The G12 offers controls that a DSLR user will want and expect. Some of the controls are more direct and accessible in the G12. There’s a mode dial that Canon DSLR users will be familiar with. Experienced users will deal with five out of the six modes (excluding movie mode). I’ll be using Av (aperture priority) and M (manual) modes primarily.

Hank2

I’m impressed with the information available on the LCD display. There’s a live histogram, front dial that changes aperture value (in Av mode)shutter speed (in Tv mode) and an electronic level.

I own a Canon T2i, 10D and 30D and have gravitated to the 30D as my go to camera (even thought it’s only 8 megapixels), but I’m really attracted to the G12, which is 10 megapixel. It reminds me of the old 35mm rangefinder cameras that I’ve always liked and used in the past. The G12 will take a little getting used to, but its destined to be my main street photography camera.

Speaking of street photography….

Here’s what I’ve learned, shooting around the outskirts of downtown. Always keep moving. Keep your camera in your pocket (preferable a coat or jacket) and keep it on, ready to shoot. Continuously be aware of your surroundings and continuously look for shots. When you see one, take it, but take it fast and keep moving. All of the shots below were taken with the Nikon Coolpix 3100 and processed in Lightroom 5.

CapitalParkCorner-2 I was eyeballed by some dudes on an isolated street corner (not the guys in the above photo) and I wanted to get a shot. One of them kept his eyes on me, so I took the safe route and kept on moving. One missed shot is not worth losing my camera, wallet or worse.

CapitolPark1

That’s the bad, but there’s a lot of good. I’ve found that a little kindness, respect and communication goes a long way. There’s a dude who plays saxophone outside the Millender Center, spring, summer, fall and winter. I see him every day when I walk and hear him every day in the parking structure. The guy is really, really good and should be playing in a band. He’s producing art in thin, indifferent Detroit air. I approached him, offered him a couple of bucks out of respect and asked if I could take his picture for this blog. He smiled and said, “Knock yourself out, man.” He was friendly, gentle and articulate.

SaxPlayer2

 

Everyone is not like this, of course. Street photography is a learning and growth experience for me. It’s not easy approaching people and asking to photograph them. I’ll be doing this throughout the winter and documenting what I can. I’ve leaned something else in the last week or so. What’s the difference between a dull street photograph and a good one? People.

 

Detroit Revived Released

Detroit Revived is now available on Amazon.com as a Kindle eBook. Things fell into place quickly so we bumped up the release date by two weeks. We decided to keep the price way low at $1.99, at least for now.

 

DetroitRevivedCover_lo_reGet it here:
http://www.amazon.com/Detroit-Revived-Jeff-Stefan-ebook/dp/B00GCRFRT4/ref=sr_1_1?ie=UTF8&qid=1383315979&sr=8-1&keywords=detroit+revived

 

Last Few Hours for Free Download

It’s last last few hours to download for free the #1 book in digital photography on Amazon, The DSLR Artist. Get it here:  http://www.amazon.com/The-DSLR-Artist-ebook/dp/B00D9VYGWA/ref=sr_1_1?ie=UTF8&qid=1370779661&sr=8-1&keywords=the+dslr+artist